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・ Francesco Mancini-Ardizzone
・ Francesco Mander
・ Francesco Mandragona
・ Francesco Manelli
・ Francesco Manfredini
・ Francesco Mangione
・ Francesco Manno
・ Francesco Manuel Bongiorno
・ Francesco Manunta
・ Francesco Marchetti Selvaggiani
・ Francesco Marchisano
・ Francesco Marciuliano
・ Francesco Marconi
・ Francesco Margiotta
・ Francesco Maria Appendini
Francesco Maria Bazzani
・ Francesco Maria Bonini
・ Francesco Maria Brancaccio
・ Francesco Maria Carafa
・ Francesco Maria de' Medici, Duke of Rovere and Montefeltro
・ Francesco Maria del Monte
・ Francesco Maria della Rovere
・ Francesco Maria Emanuele Gaetani
・ Francesco Maria Farnese
・ Francesco Maria Grimaldi
・ Francesco Maria Guazzo
・ Francesco Maria I della Rovere, Duke of Urbino
・ Francesco Maria II della Rovere, Duke of Urbino
・ Francesco Maria Macchiavelli
・ Francesco Maria Mancini


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Francesco Maria Bazzani : ウィキペディア英語版
Francesco Maria Bazzani
Francesco Maria Bazzani or Bassani (c. 1650 – c. 1700) was an Italian baroque composer.
Francesco was a member of the musical Bassani family, of whom Giovanni Battista Bassani is the best remembered today. He is to be distinguished from another Francesco Maria Bassani two generations earlier (fl. 1621), nephew of the viola da gamba composer Oratio Bassani, who kept a pedagogic notebook ''Regole di contrapunto'', which contains eight pieces, seven of which are probably by his uncle Oratio.
He was maestro di cappella of the Duomo di Piacenza from 1673〔Francesco Saver Quadrio ''Della storia e della ragione d'ogni poesia, + indice universale'' 1744, p. 513〕
Upon the death of his sister and her husband, a musician named Keller from Germany, Francesco adopted his nephew Fortunato Chelleri and trained him as a musician.〔Vassilis Vavoulis Keyboard music of Fortunato Chelleri 2000〕
==Works==
Operas
* ''Ottone il Grande'' (Parma 1670) is cited as an early example of an opera seria where a minor comic character, in this case the servant Lenno, returns at the end of Acts 1 and 2 of the opera to enable a comic ballet to be performed.〔Lorenzo Bianconi, Giorgio Pestelli, Kate Singleton ''Opera on stage'', p. 185〕〔Lorenzo Bianconi, Giorgio Pestelli ''Storia dell'opera italiana'' 1988, p. 185 "Per esempio, nell'allestimento dell 'Ottone in Italia del piacentino Francesco Maria Bazzani a Parma nel 1679 il servo Lenno, che nel corso del dramma compare in poche scene comiche di passaggio, ritorna alla fine dell'atto I e del II...〕
* ''L'inganno trionfato overo La disperata speranza ravvivata ne' successi di Giacopo Quinto di Scozia e Maddalena di Francia'', Parma (1673) libretto: Oratio Francesco Roberti

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